Shiner Gaslight Theatre
Spring Production:"Junie B. Jones is Not a Crook"
A comedy directed by Elaine Plummer is a hilarious and heartfelt tale based on the best-selling book series by Barbara Park.
Something terrible happened to Junie B. Jones at school today! Someone stole her new furry mittens! So when Junie B. finds a wonderful pen of many colors, she should be allowed to keep it, right? Because finders keepers, losers weepers. And guess what? There's a new boy in kindergarten and he is the handsomest. The only thing is both Grace and Lucille want him to be their boyfriend. Maybe he will love Junie B. when he sees her wonderful pen! It is okay to keep it, right? Junie B. Jones is not a crook . . . or is she? A hilarious and heartfelt tale based on the best-selling book series by Barbara Park.
Play Dates: March 28, 29, 30, April 2, 4, 5, 6, 9, 11, 12, 13
(Two Wednesday Performances)
Call or book online
Voucher holder reservations begin on Wednesday, Feb 26th
General admission ticket sales begin Monday, Mar 3rd
Call in hours: Mon-Fri 8:30 a.m. - 3:30 p.m.
Fall Production: "You Can't Take it With You"
The fall play, “You Can’t Take It With You” is a delightful portrait of a charmingly eccentric family. The Vanderhof family, quirky and unconventional, lives near Columbia University. At the center is Grandpa Martin, surrounded by his daughter Penny, her husband Paul, and their daughter Alice, who loves her family but is often embarrassed by their eccentricities. When Alice falls for her wealthy boss, Tony, their vastly different families clash during a disastrous dinner party. As tensions rise, Grandpa and the family help Alice and Tony reconcile, teaching Tony's father that life is about more than money—because after all, you can't take it with you.
2025 Gaslight Season Productions...
Summer Production: "The Voice of the Prairie"
The "voice" belongs to Davey Quinn, who, in the early days of this century, tells stories on the radio, recounting his youthful adventures. Playwright John Olive has written a story which beckons the theatre audience to remember a more innocent, yet ambitious time when radio opened up the world of imagination to the listening audience and made overnight sensations of its stars.